Ton Kruse

The Faculty of In-humanities - R.S.O.L.

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New Coat of Arms of the Faculty of In-humanities, Tom Putman, 2020
The Faculty of In-humanities consists of artists, scholars and researchers and was founded January 2018 by Dean Ton Kruse. The Faculty is based in R.S.O.L. (Room for the Study Of Loneliness), Deventer, the Netherlands. ⇲

Research of the Faculty is grouped around the following subjects:
  • the place and status of artists and art in contemporary society
  • the nature, working and meaning of the work of art in general and in particular
  • the nature, working and meaning of artisthood in general and in particular
  • contemporary art as a distinctive mode for understanding and doing art

The Faculty wants to function as a catalyst for interaction, co-operation and concurrence of research done by both artists and scholars. The Faculty relies on the personal commitment and professional dedication of its partners and focuses on the goods intrinsic to the practice of contemporary art. The Faculty is both a work of art and a genuine, non-institutionalised Faculty of artists, scholars and researchers. The names of partners are not listed online, except for actual faculty manifestations.
RSOL - Faculty of In-humanities
Room for the Study Of Loneliness
gebouw en gedrag gaan altijd samen
Marge Ton Kruse
Faculty of In-humanities
writing a letter at the Faculty
Marginaliteit Ton Kruse
cover issue 1, Faculty of In-humanities
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Faculty of In-humanities: What is contemporary art?
Essays published with Palgrave Macmillan
Paul Ricoeur
status / marge
Margin, the Cleansing
Situation and World: The Faculty of In-humanities
I See: perception, understanding and judgement, by Ton Kruse, Dean
Contribution to the Salon
manifestation
Salon contribution
verbs
means and meanings
Faculty contribution
representation
research at the Faculty
studying Huizinga, Goldschmidt and Gielen/Van Winkel at the Faculty
het manifest van de marge
contribution to the  Salon of Kunstenlab
contribution to the Salon, Deventer 2018
the Faculty now manifests at RSOL, finishing week of the salon
last week of the Salon 2018

open house during the last weekend of the Salon:

present: Haraldur Karlsson, Anna Rudolf, Ton Kruse
present: Trevor Batten
present: Berend Strik, Bert Scholten, Ton Kruse
Open House of the Faculty at RSOL
present: Bert Scholten
Issue 1 ad in Metropolis M
Issue 1 of the Faculty and ad in Metropolis M 6 2018
Hannah Arendt
Work by Ton Kruse for: IMAGINATION AND ART; Explorations in Contemporary Theory, https://brill.com/view/title/57455 Brill Academic October 2020
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blz. 252, C. Potok, Uitverkoren, BZZTôH 's Gravenhage 2000
 ⇒ "Als ik nu lach, lach ik van binnen; want ik schijn te hebben verleerd, het hardop te doen. Hij zegt dat het gemis aan conversatie het hem moeilijk maakt in woorden te denken. Ik praat in mezelf en luister naar de woorden, maar ze klinken hol en onbekend."
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bibliotheek R.S.O.L. 2019
Cover of Issue #2 by the Faculty of In-humanities
Nameplate on the door of R.S.O.L. with a quotation of the Matthew Translation of Hb 2, 3  from 1537
contribution to the Journal of Comparative Literature and Aesthetics nr2 2019
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part of the contribution for Issue 2 by Berend Strik
Issue #2 by the Faculty of In-humanities
Imagination and Art, Explorations in Contemporary Theory (Brill, Leiden)
Chapter by Ton Kruse in 'Imagination and Art', Brill Leiden
Chapter by Charles Altieri in 'Imagination and Art', Brill 2020
Imagination and Art, Brill Leiden
Work by Ton Kruse in 'Imagination and Art', Brill Leiden 2020
Unlocked/Reconnected@R.S.O.L.nl
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Sending by Martín La Roche from De Appel
The remote archivist, flipside - Martín La Roche
l’ 1%, c’est moi by A. Fraser
'Zulke ervaringen en gedachten maakten mij (...) eenzaam omdat ik er niet over kon praten. Ik had er (...) geen woorden voor. En toen ik die wel kreeg, vonden die geen weerklank in mijn omgeving. (...) Mij helpt het om eenzaamheid te duiden als een verlangen naar transformatie. De kunst wordt dan (...) in beweging (...)  komen. (...) De binnenwereld van een ander kun je (...) niet betreden. In die zin zijn wij eenzame wezens. Maar het bijzondere (...) is dat wij wel kunnen verlangen naar het kennen van de binnenwereld van een ander. Dat verlangen is 'mooi'. In dat verlangen schuilt schoonheid.' M. Slob, Volkskrant 21-12-2020
Dutch Patch in the Garden Diary October 2020 by Trevor Batten
Post in Trevor Battens Garden Diary October 2020
interview Rosella Twisk, stagiair Nieuw Dakota, over translokaliteit
Listen (Ken Montgomery, 2018) performed by Martín La Roche, in his Le Musée Légitime, februari 2021:
working on a JCLA India issue and on an essay
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Het ding
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out of order (2021)
mural, Ton Kruse 2021
floor line markings
photo wallpaper
Eric Giraudet de Boudemange, Roland Kuit, Trevor Batten, Ton Kruse 2021
'Out of order' is an installation piece done by four Faculty partners, including the Dean. It was done on request for an artist's collective in Berlin, that was participating in an international biennial with their space. The parts of the piece were sent to the collective with instructions for implementation. Due to deficiencies in its presentation by the collective, it was then withdrawn by the Faculty. info  /  info  /  info  /  info
logo R.S.O.L. art space
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editing issue of the Journal of Comparative Literature and Aesthetics
(Con)textual Strategies: Understanding and Interpretion, JCLA, R.S.O.L., 2022
Charles Altieri, Journal of Comparative Literature & Aesthetics
Ton Kruse, JCLA 2022
Thijs Lijster, The Faculty, JCLA, R.S.O.L.
Beatriz Contreras Tasso, JCLA, The Faculty, 2022
Daniel Schreiber, Trouw 05-11-2022
statement Ai
Federico Fellini, Sterre der Zee
essay Heidegger
Suzanne Weenink, Daily Practice
Suzanne Weenink, Kunstlicht 4 2022
Kunstlicht 4 2022, Rosa de Graaf
Dirk van Weelden
Dirk van Weelden
Literair Overleven
Literair Overleven
Dirk van Weelden, Literair overleven, 2008
Literair Overleven, Dirk van Weelden
Issue #3, Dirk van Weelden
Issue #3, The Faculty, Maarten Buser
preliminary cover Issue #3
The Faculty, Farkhondeh Shahroudi
The Faculty of In-humanities, Cecile Reijnders
Issue #3, The Faculty, Wapke Feenstra
The Faculty, Tom Putman
Issue #3, Ton Kruse
Issue #3, Lex ter Braak
Issue #3, The Faculty, Elki Boerdam
Issue #3, Hans de Wit
The Faculty, Just Quist
The Faculty, Berend Strik
Issue #3, The Faculty, Lieneke Hulshof
International Register of Loneliness
“We found that lonely individuals are exceptionally dissimilar to their peers in the way that they process the world around them,” says Elisa Baek of the University of Southern California. Baek and colleagues Ryan Hyon, Karina López, Meng Du, Mason A. Porter, and Carolyn Parkinson (UCLA) compared functional magnetic resonance imaging (fMRI) scans of 63 first-year university students and found that the brain activity of lonely participants was very dissimilar to that of both nonlonely participants and of other lonely participants. By comparison, the brain activity of nonlonely participants was similar to that of other nonlonely participants. This was especially true in the default-mode network, in which brain activity appears associated with interpreting narratives and friendships and in the reward-processing areas of the brain. These findings remained significant even when the researchers corrected for demographic characteristics and the size of participants’ social networks. source

"Lonely people process the world idiosyncratically, which may contribute to the reduced sense of being understood that often accompanies loneliness,” the researchers concluded: "Lonely people may view the world in a way that is different from their peers. These findings raise the possibility that being surrounded predominantly by people who view the world differently from oneself may be a risk factor for loneliness (even if one socializes regularly with them)." source

Elisa C. Baek et al. Lonely Individuals Process the World in Idiosyncratic Ways, Psychological Science, Volume 34 Issue 6, June 2023

R.S.O.L. & the Status of Reality
contribution to: Let's Work! VU Art Science, 2024


Wende Wallert, VU Art Science 2024
R.S.O.L. flag at VU Art Science
R.S.O.L. & the Status of Reality, VU Art Science 2024
detail Status of Reality 1-4, Lex ter braak
detail Status of Reality 1-4, Faculty of In-humanities, 2024
detail Status of Reality 1-4 Jorieke Rottier
detail Status of Reality 1-4, VU Art Science, 2024
Status of Reality 1-4, Faculty of In-humanities, Lex ter Braak, Jorieke Rottier, Berend Strik, Hans de Wit, Martin La Roche, Ton Kruse, VU Art Science 2024
Crime Scene, Ton Kruse, VU Art Science 2024
detail plaats delict / crime scene
Int. Register of Loneliness, VU Art Science 2024
Register of Loneliness, 2024
from the R.S.O.L. archives, VU Art Science 2024
From the R.S.O.L. Archives, VU Art Science, 2024
detail from the R.S.O.L. archives
detail From the R.S.O.L. archives
Out of Order, From the R.S.O.L. archives, 2024
Suzanne Weenink, Kunstlicht, From the R.S.O.L. archives
manifest van de marge, Hannah Arendt, From the R.S.O.L. archives
Issue #2 & #1, From the R.S.O.L. archives
doorplate From the R.S.O.L. archives, VU Art Science 2024
Issue #3, From the R.S.O.L. archives, VU Art Science, 2024
R.S.O.L. & the Status of Reality overview, VU Art Science 2024
drawings Constructs of Dwelling, Deventer Verhaal / Collectie Overijssel
plein-air performance Wapke Feenstra, VU Art Science, 2024
Voice performance 'My Heavens!', Sharon Stewart, VU Art Science 2024
still Voice performance Sharon Stewart
Voice Performance, Nanda Runge, VU Art Science
Voice Performance, Martin La Roche, VU Art Science
Plein-air introductie Wapke Feenstra
VU Art Science, plein-air
Wapke Feenstra, VU 2024
plein-air, Wapke Feenstra, Let's Work! VU
Wapke Feenstra, Wende Wallert, VU
plein-air workshop VU Art Science
plein-air workshop 2024
tekening uit de plein-air workshop VU
tekening uit de plein-air workshop VU

photo's 1-4, 6, 8-11, 14, 16, 24, 28: GJ van Rooij, courtesy VU Art Science

The study "Strategic Conformity or Anti-Conformity to Avoid Punishment and Attract Reward", by behavioral economist and psychologist Katrin Schmelz and her colleagues Fabian Dvorak and Urs Fischbacher at Konstanz University in Germany, investigated among other questions, how evaluators selected individuals for a wanted reward or for an undesirable consequence. The results suggest that having things in common with an evaluator is much more important than being noticeable. Evaluators preferably assigned rewards not to those who stood out, but to those similar to themselves. When selecting for punishments, people who stood out were more in danger, while being similar to the evaluator provided protection. source

"Homophily is very powerful in driving evaluators’ selections. In the Facts and Taste domains, evaluators select the item matching their own prior choice for a Reward in about 80% of the cases ... Homophily is also the predominant mechanism for assigning a Reward in the Creativity domain. When assigning Punishment in the absence of coordination incentives, evaluators avoid the item they like themselves in all domains."

"In a nutshell, evaluators’ decisions suggest that homophily is a very powerful driving force, whereas salience needs to be very salient in order to take effect. Accordingly ... , matching the evaluator’s taste may be more important than standing out to avoid punishment, and in particular to attract a reward."

Strategic Conformity or Anti-Conformity to Avoid Punishment and Attract Reward, The Economic Journal, 25.09.2024
source
enlarge pictures by clicking on them - some pictures have links to further information
achtergronden bij R.S.O.L.
backgrounds to R.S.O.L.
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