R.S.O.L. archive
Room for the Study Of Loneliness : space for contemporary art
two inbetween days
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met werk van / with work by: Glenn Plaisier
R.S.O.L. 23.06 - 28.08 2021
R.S.O.L. 23.06 - 28.08 2021
tijdens de tentoonstelling was de galerie gesloten / during the exhibition the gallery was closed info
21.07 - 31.07
21.07 - 31.07
Inbetween days is het R.S.O.L. programmaonderdeel waar kunstenaars of onderzoekers recent eigen werk kunnen tonen, zonder inhoudelijke sturing van een curator, in de perioden tussen R.S.O.L. presentaties in. In de maanden juli en augustus toont Glenn Plaisier (NL/DE) zijn werk in de tweede inbetween days. Plaisier studeerde aan de Academie voor Beeldende Kunst van Enschedé - de Aki, en aan het Bauhaus in Dessau (DE). Hij exposeerde eerder bij onder andere de Deventer Nachtexpo en bij TENT Rotterdam. Plaisier hanteert omkeringen om inzichten te verwerven in kunsthistorische kwesties en praktijken die nu van belang zijn. De talige handeling van referentie en betekenis wordt ingezet om concepten en oordelen anders te benaderen, soms op een manier die verwant is aan de werking van moppen.
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Inbetween days is the R.S.O.L. programme component in which artists or researchers can show recent work, without a curatorial frame, in the periods inbetween R.S.O.L. presentations. In July and August, Glenn Plaisier (NL/DE) will be showing his work in the second inbetween days. Plaisier studied at the Academy of Visual Arts in Enschedé - the Aki, and at the Bauhaus in Dessau (DE). He has previously exhibited at the Deventer Nachtexpo and at TENT Rotterdam, among other places. Plaisier uses reversals to gain insights into art historical issues and practices that are relevant for today's art practice. The linguistic act of reference and meaning is deployed to approach concepts and judgements differently, sometimes in a manner akin to the working of jokes.
over het inbetween days programma onderdeel / about the inbetween days programme section
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Inbetween days is the R.S.O.L. programme component in which artists or researchers can show recent work, without a curatorial frame, in the periods inbetween R.S.O.L. presentations. In July and August, Glenn Plaisier (NL/DE) will be showing his work in the second inbetween days. Plaisier studied at the Academy of Visual Arts in Enschedé - the Aki, and at the Bauhaus in Dessau (DE). He has previously exhibited at the Deventer Nachtexpo and at TENT Rotterdam, among other places. Plaisier uses reversals to gain insights into art historical issues and practices that are relevant for today's art practice. The linguistic act of reference and meaning is deployed to approach concepts and judgements differently, sometimes in a manner akin to the working of jokes.
over het inbetween days programma onderdeel / about the inbetween days programme section
Nulbeweging naar Museum EICAS / Zero Movement to Museum EICAS
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De videosculptuur 'Nulbeweging' (Glenn Plaisier, 2019) uit two inbetween days is door de bemiddeling van R.S.O.L. opgenomen in de collectie van Museum EICAS, dat in 2022 opent aan de Nieuwe Markt in Deventer.
/ The video sculpture 'ZERO movement' (Glenn Plaisier, 2019) from two inbetween days is through the agency of R.S.O.L. included in the collection of Museum EICAS, which opens in 2022 at the Nieuwe Markt in Deventer. |